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Edmund Spenser - Biography & Selected Products

One of the greatest of English poets, Edmund Spenser was born in East Smithfield, London, in 1552, though an exact date is not recorded.                            

As a boy, he was educated in London at the Merchant Taylors' School and later at Pembroke College, Cambridge. 

As a young man, in 1578, the young Edmund was, for a short time, secretary to John Young, the Bishop of Rochester. 

In 1579, he published The Shepheardes Calender, his first major work.  The poem follows Colin Clout, a folk character originated by John Skelton, and depicts his life as a shepherd through the twelve months of the year.  

It is also around this time that Edmund was married for the first time to Machabyas Childe. The union produced two children; Sylvanus and Katherine.

Edmund journeyed to Ireland in July 1580, in the service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. His time included the terrible massacre at the Siege of Smerwick, though this event seems to have settled his views somewhat on Ireland and the Irish. (The Siege of Smerwick took place at Ard na Caithne in 1580, during the Second Desmond Rebellion. A 400–500 strong force of Papal soldiers captured the town but were later forced to retreat to nearby Dún an Óir, where they were besieged by the English Army and eventually surrendered. On the orders of the English Commander most were then massacred). 

When Lord Grey was recalled to England, Edmund stayed, having being appointed to several other official posts and lands in the Munster Plantation.  Between 1587 and 1589, Spenser acquired his main estate at Kilcolman, near Doneraile in North Cork. 

He later bought a second holding to the south, at Rennie, on a rock overlooking the river Blackwater but still in North Cork. Its ruins are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak". Local legend has it that he penned some of The Faerie Queene under this very tree. 

This epic poem, The Faerie Queene, is acknowledged as Edmund’s masterpiece. The first three books were published in 1590, and a second set of three books were published in 1596.  The original idea was for the poem to consist of twelve books. So although the version we publish here is all that he actually wrote it is still one of the longest, and most magnificent, poems in English literature. 

The Faerie Queene is a work on several levels of allegory, including as praise of Queen Elizabeth I. The poem follows several knights in an examination of several virtues. In Spenser's "A Letter of the Authors," he states that the entire epic poem is "cloudily enwrapped in allegorical devises," and that the aim behind The Faerie Queene was to "fashion a gentleman or noble person in virtuous and gentle discipline.” 

On its publication Spenser travelled to London to publish and promote the work. In this endeavour he was successful enough to obtain a life pension of £50 a year from the Queen who did not give these out lightly. 

Spenser used a verse form, now called the Spenserian stanza, in The Faerie Queene as well as several others poems. The stanza's main meter is iambic pentameter with a final line in iambic hexameter (having six stresses, known as an Alexandrine).  He was also to use his own rhyme scheme for the sonnet. In a Spenserian sonnet, the last line of every stanza is linked with the first line of the next one.

Spenser was well read in classical literature and strove to emulate such Roman poets as Virgil and Ovid, whom he had studied during his schooling. 

Indeed the reality is that Spenser, through his great talents, was able to move Poetry in a different direction.  It led to him being called a Poet’s Poet and brought rich admiration from Milton, Raleigh, Blake, Wordsworth, Keats, Byron, and Lord Tennyson, among others.  John Milton in his Areopagitica called Spenser "our sage and serious poet . . . whom I dare be known to think a better teacher than Scotus or Aquinas". 

He had hoped this praise and pension might lead to a position at Court but his next work antagonised the queen's principal secretary, Lord Burghley, through the inclusion of the satirical Mother Hubberd's Tale. 

Spenser returned to Ireland and in 1591, Complaints, a collection of poems that voices complaints in mournful or mocking tones was published. 

By 1594, Spenser's first wife, Machabyas, had died.  Very soon he married Elizabeth Boyle, and to which he dedicated the sonnet sequence Amoretti. The marriage itself was celebrated in Epithalamion and the fruit of this relationship was a son, Peregrine. 

In 1595, Spenser now published Amoretti and Epithalamion. The volume contains eighty-nine sonnets. 

In the following year Spenser released Prothalamion, a wedding song written for the daughters of a duke, allegedly in hopes to gain favour in the court.  More importantly he also wrote a prose pamphlet titled A View of the Present State of Ireland (A Veue of the Present State of Irelande).  It was circulated in manuscript form due to its highly inflammatory content. Its main argument was that Ireland would never be totally 'pacified' by the English until its indigenous language and customs had been destroyed, if necessary by violence. 

Spenser was a strong proponent of, and wished devoutly, that the Irish language should be eradicated, writing that if children learn Irish before English, "Soe that the speach being Irish, the hart must needes be Irishe; for out of the aboundance of the hart, the tonge speaketh". 

He further discussed in the pamphlet future draconian plans to subjugate Ireland, after the most recent rising, led by Hugh O'Neill, having again shown the failure of previous efforts. The work is also a partial defence of Lord Arthur Grey de Wilton, with whom Spenser previously served and who deeply influenced Spenser's views on Ireland. 

The goal of this piece was to show that Ireland was in great need of reform. Spenser believed that "Ireland is a diseased portion of the State, it must first be cured and reformed, before it could be in a position to appreciate the good sound laws and blessings of the nation". Spenser categorises the “evils” of the Irish people into three distinct categories: laws, customs, and religion. These three elements work together in creating the disruptive and degraded people. One example given in the work is the native law system called "Brehon Law" which trumps the established law given by the English monarchy. This system has its own court and way of dealing with troubles. It has been passed down through the generations and Spenser views this system as a native and backward custom which must be destroyed. (As an example the Brehon Law methods of dealing with murder by imposing an éraic, or fine, on the murderer's whole family particularly horrified the English, in whose Protestant view a murderer should die for his act.) 

He pressed for a scorched earth policy in Ireland, noting that the destruction of crops and animals had been successful in crushing the Second Desmond Rebellion of which he was a part. 

However in 1598, during the Nine Years War, Spenser was, ironically, driven from his home by the native Irish forces of Aodh Ó Néill. His castle at Kilcolman was burned. 

In 1599, Spenser travelled to London, where he died on January 13th at the age of forty-six. According to Ben Jonson, in another and tragic irony it was "for want of bread". 

Edmund Spenser’s coffin was carried to his grave in Westminster Abbey by other poets, who threw many pens and pieces of poetry into his grave followed with many tears. 

His second wife, Elizabeth, survived him and went on to remarry twice. 

Spenser was called a Poets' Poet and was admired by John Milton, William Blake, William Wordsworth, John Keats, Lord Byron, and Alfred Lord Tennyson, among others. Walter Raleigh wrote a dedicatory poem to The Faerie Queene in 1590, in which he claims to admire and value Spenser's work more so than any other in the English language. John Milton in his Areopagitica called Spenser "our sage and serious poet . . . whom I dare be known to think a better teacher than Scotus or Aquinas". 

It is praise indeed and clearly shows why Edmund Spenser is indeed part of the Pantheon of our greatest Poets.