Read by Eve Karpf, Janet Fullerlove & Richard Mitchley (Unabridged: 8hrs 13mins)
Featuring stories by Sarah Orne Jewett, Kate Chopin, Mary E Mann, Elizabeth Stuart Phelps, L T Meade & others.
A wise man once said ‘The safest place for a child is in the arms of his mother’s voice’. This is a perfect place to start our anthology of female short stories.
Some of our earliest memories are of our mothers telling us bedtime stories. This is not to demote the value of fathers but more to promote the often-overshadowed talents of the gentler sex.
Perhaps ‘gentler’ is a word that we should re-evaluate. In the course of literary history it is men who dominated by opportunity and with their stranglehold on the resources, both financial and technological, who brought their words to a wider audience. Men often placed women on a pedestal from where their talented words would not threaten their own.
In these stories we begin with the original disrupter and renegade author Aphra Behn. A peek at her c.v. shows an astounding capacity and leaves us wondering at just how she did all that.
In those less modern days to be a woman, even ennobled, was to be seen as second class. You literally were chattel and had almost no rights in marriage. As Charlotte Smith famously said your role as wife was little more than ‘legal prostitute’. From such a despicable place these authors have used their talents and ideas and helped redress that situation.
Slowly at first. Privately printed, often anonymously or under the cloak of a male pseudonym their words spread. Their stories admired and, usually, their role still obscured from rightful acknowledgement.
Aided by more advanced technology, the 1700’s began to see a steady stream of female writers until by the 1900’s mass market publishing saw short stories by female authors from all the strata of society being avidly read by everyone. Their names are a rollcall of talent and ‘can do’ spirit and society is richer for their works.
In literature at least women are now acknowledged as equals, true behind the scenes little has changed but if (and to mis-quote Jane Austen) there is one universal truth, it is that ideas change society. These women’s most certainly did and will continue to do so as they easily write across genres, from horror and ghost stories to tender tales of love and making your way in society’s often grueling rut. They will not be silenced, their ideas and passion move emotions, thoughts and perhaps more importantly our ingrained view of what every individual human being is capable of.
It is because of their desire to speak out, their desire to add their talents to the bias around them that we perhaps live in more enlightened, almost equal, times.
Within these stories you will also find very occasional examples of historical prejudice. A few words here and there which in today’s world some may find inappropriate or even offensive. It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight. Context is everything, both to understand and to illuminate the path forward. The author’s words are set, our reaction to them encourages our change.
In this compilation -
01 - The Female Short Story. A Chronological History - An Introduction - Volume 4
02 - The Blue Laboratory by L T Meade
03 - Since I Died by Elizabeth Stuart Phelps
04 - Many Waters Cannot Quench Love by Louisa Baldwin
05 - In the Mist by Mary E Penn
06 - An Unexpected Fare by Mary Tuttiett writing as Maxwell Gray
07 - Extradited by Isabella Valancy Crawford
08 - The Little Room by Madeline Yale Wynne
09 - Dog or Demon by Dorothy Havers
10 - A Rainy Day by Mary Elizabeth Hawker writing as Lanoe Faulkenery
11 - Clomayne's Clerk by Mary E Mann
12 - Christmas Eve at a Cornish Manor House by Clara Venn
13 - A White Heron by Sarah Orne Jewett
14 - Desiree's Baby by Kate Chopin
15 - An Outcast of the People by Bithia Mary Croker
16 - Cuchulain of Muirthemne. The Only Son of Aoife by Lady Augusta Gregory